Articles

Markman, H (1997) Play in the Treatment of Adolescents. Psychoanalytic Quarterly 66:190-218

_____(2006) Listening to Music, Listening to Patients: Aesthetic Experience in Analytic Practice. fort da 12:18-29

_____(2011) Metaphors We Live By: Commentary on paper by Steven H. Knoblauch. Psychoanalytic Dialogues 21: 437-445

_____(2015) A Pragmatic Approach to Bion’s Late Work: A Response to Soffer-Dudek. Journal of the American Psychoanalytic Association. 63:947-957

_____(2017) Presence, Mourning, and Beauty: Elements of Analytic Process. Journal of the American Psychoanalytic Association. 65:979-1004

_____(2018) The Good, the Bad, the Ugly, and the Dead: a Hypothesis Regarding a Typology of Analytic Fields. fort da 24:55-69

_____(2020) Accompaniment in Jazz and Psychoanalysis. Psychoanalytic Dialogues. 30: 432-447

_____(2020) Marching Musical Metaphors: Reply to Blum, Knoblauch, and Music. Psychoanalytic Dialogues. 30:474-478

_____(2020) Embodied Attunement and Participation. Journal of the American Psychoanalytic Association. 68:807-834

_____(2021) “One-Sided Analysis is No Longer Possible”: The Relevance of “Mutual Analysis in Our Current World. fort da. 27:16-34

———-(2023) “A JAPA Vignette: A Moment with Matt”. Journal of the American Psychoanalytic Association. 71:1

BOOK REVIEWS

___________(2007) Between Couch and Piano: Psychoanalysis, Music, Art and Neuroscience by Gilbert Rose. Fort da 13: 73-80

 __________(2010) “In this room at This Time”: The Subtle Radicalism of Michael Feldman’s Clinical Contribution. Fort da 16:9-21

___________(2022) The The Role of the Patient-Analyst Match in the Process and Outcome of Psychoanalysis by Judy Leopold Kantrowitz. Journal of the American Psychoanalytic Association. (in press).